Smiling Portraits From History V3 | Colorized and AI Animated #Video
For anyone getting message: "Sign in to confirm you're not a bot"
First try refreshing your browser or try another browser. If that doesn't work, read the following.
All the videos on my website are embedded from Youtube. From what little information I can find Youtube is testing turning off videos for certain users that are not logged into a Youtube account or using a VPN to view videos. If you have a Youtube account, please try logging in and see if you can then view the videos on https://mvotd.com. If you're using a VPN, try turning it off to view the videos. There are a few other work arounds but they are pretty confusing to use. If you have the skills you might try searching Google for "Youtube Sign in to confirm you're not a bot" for a fix. I didn't see any that looked easy. Our best hope is that Youtube completes their test and realizes this is a big mistake. Until then, please check in daily to see if you still getting the error message. Sorry it took so long to figure out what was going on with this. Mel
Description
Hello everyone and nice to see you back. We all love seeing people smile, especially people from distant history, and this is what this video is all about. Historical photographs carried a trend of neutral facial expressions due to the functional view of camera technology. Not only did the rare commodity of the technology during the 19th and early 20th century dictate this standard, but movement in photographs was almost impossible. For a photograph to be taken many had to stay incredibly still for however long the picture took. The thought of seeing realistic pictures of Abraham Lincoln smile and even move, would have been seen as a sci-fi concept not too long ago. Now, technology says otherwise. I'm hoping that the digital manipulations in this video, that include full colorization and image enhancements, will help us see historical figures in a different light.
Comments
- CharMaine Added AI is getting better and better all the time . . .